(06-14-2017 10:24 PM)Paracelsus Wrote: It depends how pretty they want it to look.
Doctor Who has a relatively low budget but lots of monsters.
Besides, they did a Polish low budget Witcher series before, (called the Hexer) and it seemed to work well.
They called it the Hexer because that's the more theoretically accurate translation of
Wiedzmin, the original name of the Witcher in Polish. And that low budget Witcher series has taken a lot of flak over time, partly because of shit acting, partly because of, well, low budget.
Doctor Who does have a pretty fucking low budget, but that's arguably part of its charm. (The Doctor Who movie with McGann as the Eighth Doctor had a massive and absolutely gorgeous TARDIS set, but it was just too corporate and US-ified.) It's basically a planet-of-the-week costume drama with mostly practical effects like the original run of
Star Trek was, and it shows ... but you buy it because typically they pick a Doctor who wet girls' panties (See: Nine, Ten, and Eleven) or one who rules over the show by sheer force of personality (see: the current iteration and the Fourth Doctor).
Witcher is going to be a different beast again. I agree with Latinopan, GOT has incredibly good casting (the first season had fucking Sean Bean for Christ's sake; Charles Dance and Diana Rigg wouldn't have come cheap either) and it doesn't have the persistent, common magic that the Witcher setting has, which means GOT's special effects bill is going to be less than that of a Witcher series. If you think back, there hasn't been
any blasty magic thrown around throughout GOT, not one obvious Gandalf/Merlin type shitting fireballs out his arse. Compare that to the Witcher where Geralt himself can perform low level magic and where there's at least four or five women (of whom roughly 50% or more he has personally fucked) who are demigods of magical power. To say nothing of the Wild Hunt.
My main hope for Netflix!Witcher is that they don't just try to clone GOT's approach, that they instead understand what I think is the Witcher's real genre: horror. Some of the most effective storylines in Witcher 3 are where you deal with Lovecraftian horrors like the Ladies of the Wood, which in turn are drawn from Slavic/Polish Baba Yaga myths. There's no real ultimate win against such forces, only pyrrhic ones: consider how the Family Matters quest ultimately turns out - someone winds up dying no matter what you do, and in one of these cases, an entire village gets consumed. The Witcher is more horror than fantasy: hell, insofar as there's a Chosen One in the series, it's Ciri, not you - Geralt at best is a supporting character in Ciri's story if you interpret the Witcher as high fantasy. The game, at least, works best when you're on Witcher contracts, especially the individual nightwraiths like Jenny o' the Woods and similar - where you get a good dose of tragedy and sadness in the mix.
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Agreed, they shouldn't attempt to clone the feel or scope of GoT.
It's called
The Witcher, it is centred around the adventures of one guy, (and his wife and stepdaughter)... There is a whole world to explore, but they can keep it small for the first series to see if there is an audience for it.
Practical effects/rubber suit monsters wouldn't look good, but they wouldn't necessarily look bad if not shot properly.
As for DW relying on eyecandy, Yen, and Game Geralt are both very goodlooking. Somehow I doubt they'd go for the stomach-turning mutant freak angle.
(06-15-2017 12:46 AM)sterling_archer Wrote: (06-15-2017 12:34 AM)spokepoker Wrote: Is the game like the books? Supposedly they are doing it after the books, not the game.
Quote:Writer Andrzej Sapkowski will serve as creative consultant.
Games are supposed to be sequel and/or parallel to the events in the books.
The first game breaks with canon, but the second and third mesh very well with the books.