Post: #1

As SJWs continue to double down in the face of resistance (h/t to Vox Day's book SJWs Always Lie - http://www.returnofkings.com/76526/the-m...always-lie ), I figured it'd make sense to consolidate their increasingly frequent movie releases into one thread.

After all, it was only a few days ago that I created a thread about the new Rocketeer movie ( /thread-57321.html ).

And now, I find myself having to create a thread about this feminist fantasy:

Quote:Bridget Jones's Baby

Breaking up with Mark Darcy (Colin Firth) leaves Bridget Jones (Renée Zellweger) over 40 and single again. Feeling that she has everything under control, Jones decides to focus on her career as a top news producer. Suddenly, her love life comes back from the dead when she meets a dashing and handsome American named Jack (Patrick Dempsey). Things couldn't be better, until Bridget discovers that she is pregnant. Now, the befuddled mom-to-be must figure out if the proud papa is Mark or Jack.

https://en.wikipedia.org/wiki/Bridget_Jones%27s_Baby

Post: #2

How about Zootopia:

Quote:In a world populated by anthropomorphic mammals, a rabbit from rural Bunnyburrow named Judy Hopps fulfills her childhood dream of becoming the first rabbit police officer in Zootopia, an urban utopia.

Diversity?
Check
Female empowerment?
Check

Quote:Despite being the police academy valedictorian, Judy is relegated to parking duty by Chief Bogo, who doubts her potential.

Oppression?
Check

Quote:They track Otterton to a limousine owned by crime boss Mr. Big, who reveals that his florist Otterton went "savage" – reverted to a feral state – and attacked his chauffeur Manchas.

Masculinity is toxic and dangerous?
Check

Quote: a guilt-ridden Judy quits her job amid a wave of fear and protests against predators, a minority group.

Minority is good, even when they kill you?
Check
Fear for your life is bad?
Check

Quote: Lionheart denies any knowledge of Bellwether's plot, but asserts that he imprisoned the savage predators for the "right reasons."

Pass for the elites?
Check

SJW movie of the year for kids.

Post: #3

Zootopia

The Purge 3 Election Year

Ghostbusters

Bastille Day

Post: #4

Star Wars: Rogue One.

In the trailer, a little girl beats up 5 storm troopers with a stick - no force powers.

Post: #5

Star Trek Beyond.

I liked the movie overall but Uhura manhandling a 7' tall ripped alien warrior was obvious insertion of P.C. narrative. Sulu and his gay family was also P.C. but that was not noticeable unless you were looking for it.

Lights out.

The "I don't need no man" relationship. Little brother, big sister dynamic. Little brother was the whiny hysterical bitch throughout. Boyfriend was a total faggot. It just smells like pozz'd hollywood interference. Not an awful movie on face value but very manipulative nontheless.

Post: #6

Gone with the Wind (1939)

The original girrrl power movie about a mediocre 6 looks wise and multiple time divorcee seducing a suave alpha shitlord who pulled from higher tiers regularly, leading people during a war and proving herself to be the ultimate survivor.

Seriously subtle feminism was present in Holywood since it's dawn.

Post: #7

(08-02-2016 02:36 AM)262 Wrote:  New Movies with an SJW Agenda

That's easy. All of them.

Quote: I figured it'd make sense to consolidate their increasingly frequent movie releases into one thread.

It'd be a much shorter list to name off movies created by Hollywood or the European studios that aren't pushing Marxist narrative one way or the other.

Post: #8

(08-02-2016 06:48 AM)Mage Wrote:  Gone with the Wind (1939)

The original girrrl power movie about a mediocre 6 looks wise and multiple time divorcee seducing a suave alpha shitlord who pulled from higher tiers regularly, leading people during a war and proving herself to be the ultimate survivor.

Seriously subtle feminism was present in Holywood since it's dawn.

It's been a long time since I've seen Gone With the Wind, but all I took from it is that a manipulative, spoiled girl plays games and gets her way until the end, where Mr Super-Alpha rejects her with a sweet smackdown and she ends up with nothing to show for her machinations. Am I reading into it wrong?

Post: #9

Movie which wasn't another SJW Poz Load: Sicario. It starts with a kick-ass New York Cop Chick who's super cool and better at her job than any MAN could ever be...

...until we find out she isn't. That she's just another little girl cosplaying as a man.

It's also chock full of meditations on the technocratic culture we're developing, the why of it, and where we're all heading as a society.

Post: #10

The new Bourne.
The new movie about the female MLB pitcher.

Post: #11

(08-03-2016 10:22 AM)Aurini Wrote:  Movie which wasn't another SJW Poz Load: Sicario. It starts with a kick-ass New York Cop Chick who's super cool and better at her job than any MAN could ever be...

...until we find out she isn't. That she's just another little girl cosplaying as a man.

It's also chock full of meditations on the technocratic culture we're developing, the why of it, and where we're all heading as a society.

The sheer viciousness and accuracy of Sicario impressed me. I read El Narco not long before watching that and Sicario captured the government agency fuckery and the creepy atmosphere of the entire drug war.

It's not easy to do considering that it's a Hollywood production.

I highly recommend people read El Narco and then watch Sicario again.

Post: #12

Depends on how you look at it. It could also be seen as a movie where a beta becomes a true alpha. Frankly, in the end he just didn't give a damn.

Post: #13

Just about every movie since the 50's onward has some kind of feminist leaning to it. Of course back in the 1950's it was very small with something like the movie "Shane" where at the end the hero (old masculine) tells the boy (future masculine) to let his Mother know there will be no more guns in the Valley.

That scene may have been the marker of the beginning of the end for the masculine as it had been known for centuries.

A look at movies through the 1950's to the present and you will see how the feminist vision has been slowly developing all along. Now it's at such a fever pitch it's easy to spot, especially for people like us, but my point is it's been there all along.

Take a look back at the old movies from the 50s onward and see if you can spot it sprinkled in here and there getting more and more bold with each passing year.

The remarkable thing is that it's not done deliberately. It's just artists reflecting unconsciously what's already rife in the culture.

Post: #14

The way to react to these SJW movies is with denial of access to your wallet. I'm always confused when people say stuff like Star Wars Disney Edition and Zootopia is agenda based shit but then go see it anyway.

Post: #15

More insidious is the amount of kids content with a clear SJW propaganda agenda both movies and TV shows. I have several little ones and many nieces and nephews. It's a constant battle to try and find suitable entertainment when they want to watch a movie.

Notable SJW content for kids:
Coraline
Any new Disney show (Gurrl power)
Most of the regular series cartoons and older kid / tween shows

I have even seen some gay / trans propaganda references inserted into the tween age shows. Subtly, but it's in there. Really pisses me off and especially my nieces and nephews don't understand why they can't or shouldn't watch it.

Post: #16

@Swooper

(08-04-2016 05:08 PM)Swooper Wrote:  I'm always confused when people say stuff like Star Wars Disney Edition and Zootopia is agenda based shit but then go see it anyway.

I saw it at home. No wallet was open.


This week I saw "A Gentlemen Agreement"
It is one of the first movies about SJW, but it brings to light the problem of mid century racism.
Gregory Peck is clearly not an alpha in the movie. Maybe a Sigma.
He has trouble with relationships, for example.
In the end, his friend shows the heroine that she should stand by her man.
Even Though "fighting the whole world" is tough on her, and she clearly just wants to live her life, she does it. She "defies" her family and let his Jewish friend stay at her house. That might cost her the social circle.

Also, when they fight in the movie, he always wait and she comes back.

Post: #17

(08-04-2016 06:06 PM)odesseus Wrote:  More insidious is the amount of kids content with a clear SJW propaganda agenda both movies and TV shows. I have several little ones and many nieces and nephews. It's a constant battle to try and find suitable entertainment when they want to watch a movie.

Notable SJW content for kids:
Coraline
Any new Disney show (Gurrl power)
Most of the regular series cartoons and older kid / tween shows

I have even seen some gay / trans propaganda references inserted into the tween age shows. Subtly, but it's in there. Really pisses me off and especially my nieces and nephews don't understand why they can't or shouldn't watch it.

THIS.

I've started to watch cartoons with my daughter and, as you mention, the propaganda starts early. Androgyny, guuurrl power, beta male behavior, etc. It's disturbing, to say the least. I've taken to watching The Little Rascals with her on YouTube as a replacement (black and white version of course, thank you very much).

Nothing is sacred to these people.

Post: #18

The new Magnificent Seven stars Denzel Washington as lead and some Chinese guy.

Post: #19

(08-05-2016 01:20 AM)MajorStyles Wrote:  I've started to watch cartoons with my daughter and, as you mention, the propaganda starts early. Androgyny, guuurrl power, beta male behavior, etc. It's disturbing, to say the least. I've taken to watching The Little Rascals with her on YouTube as a replacement (black and white version of course, thank you very much).

Nothing is sacred to these people.

My kids love older Looney Tunes cartoons (30's to the 60's). Its hard exposing them even to cartoons 20 years ago much less today. "Captain Planet and the Planeteers" or some such tripe.

SJW movies? the last new movie i saw was Star Wars The Force awakens and that was full of SJW crap.

Post: #20

Given what's going on in the comics, virtually all superhero movies will be radically SJW going forward. We have:
Black Spidey;
Female Thor;
Muslim Miss Marvel;
Female Wolverine;
Female and black Iron Man;
Asian Hulk;
Black Cap;
Gay Ice Man;
Female (Kitty Pryde) is the new Starlord;
Even the villains, like Electro, are women.

Post: #21

(08-09-2016 11:46 PM)ivansirko Wrote:  

(08-05-2016 01:20 AM)MajorStyles Wrote:  I've started to watch cartoons with my daughter and, as you mention, the propaganda starts early. Androgyny, guuurrl power, beta male behavior, etc. It's disturbing, to say the least. I've taken to watching The Little Rascals with her on YouTube as a replacement (black and white version of course, thank you very much).

Nothing is sacred to these people.

My kids love older Looney Tunes cartoons (30's to the 60's). Its hard exposing them even to cartoons 20 years ago much less today. "Captain Planet and the Planeteers" or some such tripe.

Post: #22

I would not call it a SJW agenda, because it was not political, but a FI (what Rollo calls the Feminine Imperative) movie, but San Andreas with Dwayne Johnson was the worst example of FI propaganda I have seen in years.

Here's the character played by "The Rock," who is a super cool LA firefighter and rescue helicopter pilot who is also an Afghanistan vet. He is dumped by his post wall hag wife for a slimy rich guy. Instead of celebrating and taking advantage of all the young hot girls someone of his looks, job and coolness would get thrown at him, he pines for his cheating hag.

When the earthquake comes, he neglects his duties to rescue his cuckolding wife, thereby dooming those he did not rescue. In the end, after all of his efforts, the hag decides to go back to him. Wow, he won!

Post: #23

(08-03-2016 09:04 AM)Matsufubu Wrote:  

(08-02-2016 06:48 AM)Mage Wrote:  Gone with the Wind (1939)

The original girrrl power movie about a mediocre 6 looks wise and multiple time divorcee seducing a suave alpha shitlord who pulled from higher tiers regularly, leading people during a war and proving herself to be the ultimate survivor.

Seriously subtle feminism was present in Holywood since it's dawn.

It's been a long time since I've seen Gone With the Wind, but all I took from it is that a manipulative, spoiled girl plays games and gets her way until the end, where Mr Super-Alpha rejects her with a sweet smackdown and she ends up with nothing to show for her machinations. Am I reading into it wrong?

The supposed alpha guy does leave her but only after years of courting and marrying this red flag covered single mother with a bad reputation.

The whole premise of Gone with the Wind is the fantasy/propaganda that men with options find plain looking but scandalous bad girls worthy of commitment, which I found disgusting and sadly common in many more recent Hollywood movies like Pretty Woman, Bridgit Jones and others

Post: #24

(08-04-2016 02:30 PM)Onto Wrote:  ...Take a look back at the old movies from the 50s onward and see if you can spot it sprinkled in here and there getting more and more bold with each passing year.

The remarkable thing is that it's not done deliberately. It's just artists reflecting unconsciously what's already rife in the culture.

Television too, but more blatantly, starting (at least) with the CBS Country Massacre of 1971. The obvious example is "All in the Family", in which traditional values and roles were mocked and shamed as ignorant and hypocritical (though in that case the earnest SJWery backfired, because the character to be pilloried was far more sympathetic than the intended "moral center" of the show). Pretty much every Norman Lear production was an SJW message vehicle, in which whatever Big Issue (racism, rape, abortion, teen pregnancy, teen suicide, sexual abuse, domestic violence, antisemitism, etc.) could be inserted, was. He walked right up to the line of what was socially permissible for TV at the time, and moved that line as much as he could get away with.

And Lear himself proudly states that it was done intentionally, vs. as an innocent reflection of currents in the culture, art made to pull the culture towards what we would now identify as SJWism.

By the early 1980s you have several shows featuring SJW themes that would have been unthinkable a decade earlier:
- single motherhood ("Alice", "One Day at a Time")
- flamboyant/camp homosexuality ("Too Close for Comfort")
- homosexuality as something actually more morally acceptable than platonic co-ed living arrangements ("Three's Company")
- cross-dressing/transgenderism ("Bosom Buddies")
- immigration ("Chico and the Man")
- mixed families/interracial adoption ("Diff'rent Strokes")
- elective abortion ("Rhoda")
- you-go-girlism ("Maude" among others)

...and I'm sure many other examples I'm forgetting. Note how these are comedies or comedy-dramas: a spoonful of sugar to make the medicine go down, and plausible deniability if challenged.

It's not as though some of these themes hadn't been explored before (think of the Strong Woman-ism and single motherhood in "The Big Valley", for example), or that they should have been studiously and unrealistically ignored. The problem isn't in the issues per se, but that as themes they were systematically and deliberately pushed with an increasingly heavy hand so as to 'educate the idiots', with the explicit intention of undermining traditional norms through shaming and ridicule and steering the culture towards acceptance of behaviors and practices traditionally shunned as dyscivic or dysfunctional.

Sound familiar? It's SJWism without the pink-haired moonbat extremes.

Post: #25

(08-10-2016 08:49 AM)Alsos Wrote:  

(08-04-2016 02:30 PM)Onto Wrote:  ...Take a look back at the old movies from the 50s onward and see if you can spot it sprinkled in here and there getting more and more bold with each passing year.

The remarkable thing is that it's not done deliberately. It's just artists reflecting unconsciously what's already rife in the culture.

Television too, but more blatantly, starting (at least) with the CBS Country Massacre of 1971. The obvious example is "All in the Family", in which traditional values and roles were mocked and shamed as ignorant and hypocritical (though in that case the earnest SJWery backfired, because the character to be pilloried was far more sympathetic than the intended "moral center" of the show). Pretty much every Norman Lear production was an SJW message vehicle, in which whatever Big Issue (racism, rape, abortion, teen pregnancy, teen suicide, sexual abuse, domestic violence, antisemitism, etc.) could be inserted, was. He walked right up to the line of what was socially permissible for TV at the time, and moved that line as much as he could get away with.

And Lear himself proudly states that it was done intentionally, vs. as an innocent reflection of currents in the culture, art made to pull the culture towards what we would now identify as SJWism.

By the early 1980s you have several shows featuring SJW themes that would have been unthinkable a decade earlier:
- single motherhood ("Alice", "One Day at a Time")
- flamboyant/camp homosexuality ("Too Close for Comfort")

Holy crap I forgot about Too Close for Comfort. I watched that show religiously when I was a kid.