Post: #1

If you were writing a Hollywood Feature Film [Of any genre] for production: What keys themes or overriding messages would you like to see in the piece? Or on the contrary, what are the number one, blue pill myths that you would hate to see included?

Post: #2

Including women in a serious film role is Beta and Blue Pill. Are they a serious part of your life other than to poke and cum on?

Post: #3

Some of us have mothers and sisters. You sound very bitter Brian.

Post: #4

Post: #5

Just make sure there are a lot of explosions and special effects.

Post: #6

I go see movies, and as a moviegoer and film watcher, I think, pragmatically, there is a real answer to this. It may not be the answer you are hoping for, but not only are $50 million movies painfully common these days on professional sets and settings, but they kind of have a different emphasis, and they draw a different crowd. Here's an example: one of my favorites, a relative indie film at the time, directed by Quentin Tarantino and released in 1992, called "Reservoir Dogs", had a budget of about $1.2 million, according to IMDb. It is very dialogue heavy. It is very action and violence heavy. It has practically no costume changes, though I bet they had several changes of what each character wore during filming. It has about three sets in the entire film. It is also brilliantly written, and has a great history and arguably launched Quentin Tarantino's career. Here's another example: one movie I didn't even bother to watch was the latest Transformers' movie. It wasn't something I ever got excited about. I'll probably watch it if it's on TV or if friends are watching it in the room with me. For a concrete example, that's "Transformers: Dark of the Moon". Its emphasis appears to be special effects, which isn't really my thing. Its estimated budget was $195 million, according to IMDb. Here's another example: a movie I am currently trying to see is Hayao Miyazaki's "farewell film", "The Wind Rises". It is a fully animated epic about the innovation of manned flight, in the years when it was just starting out. It is also a love story and a war film, from what I've seen in the previews. Its budget was $30 million. So, here's the thing: with a limited budget, it takes more skill to create drama in the film and wonder in your audience, usually due to the limited amount of money for creating spectacle. It is not easy. It can be easy to see a spectacle like a fireworks display and go, "Oooh!", but it's a lot harder to do with dramatic tension, as in "Oooh, that sounds painful!" or "Oooh, that's brilliant!"
This does not mean that expensive movies should not be made. For example, "Gravity" was damn cool. It also took $100 million to make. For me, with that much spectacle, I kinda wish they had made a longer movie and developed the characters a little bit more. They seemed somehow a bit flat to me. The story was driven by the situation and arguably about the incredibly innovative special effects. One thing you can do to help your film making career, I would think, is to demand more from yourself in terms of ingenuity and less from a crew and cast and wardrobe manager and set builder, which is difficult to do on a limited budget. Those people would expect and deserve to be paid. I would say, more importantly, do not change your sense of pacing or your style to fit the budget. Try to figure out, as best you can, how to fund your film, and then adjust the special effects, but not the drama, accordingly. Good luck! I hope you succeed!

Post: #7

I think there are opportunities for red pill themes to be inserted into films nowadays, case in point: Gone Girl. I'll avoid spoilers for those who haven't seen it, but it involves the innate tendency and capacity of women to manipulate men and society by playing the victim. It's brilliant and full of surprises. I'd honestly like to see the same themes worked into every genre of film.

Post: #8

(04-11-2016 02:54 PM)R_Niko Wrote:  I think there are opportunities for red pill themes to be inserted into films nowadays, case in point: Gone Girl. I'll avoid spoilers for those who haven't seen it, but it involves the innate tendency and capacity of women to manipulate men and society by playing the victim. It's brilliant and full of surprises. I'd honestly like to see the same themes worked into every genre of film.

Gone girl is a great example. Psychologically, red pill truths should speak to an audience in a way that feels 'real' because they are the truths that 99% of the population never see in movies.

Post: #9

Study the great golden age films that were both insanely popular and at the top of their crafts (acting, lighting, set design) while remaining honest.

One of the best cases I can think of is The Third Man.

The lead character is an idealist and a romantic; but basically a good man to his core. Some small blue-pill thinking and some white-knighting lead him down the wrong path. He falls for the girl of his former friend. Despite the former friend being an arch criminal, she still prefers him to the lead.

It also contains the famous "cuckoo clock" speech. One of the great windows into the sociopathic soul. It's dead incorrect from an economic and moral angle, but completely on point psychologically.

Here it is [arch criminal takes lead up in a ferris wheel to explain why he sold deadly black market penicillin]:

"Victims? Don't be melodramatic. Look down there. Tell me. Would you really feel any pity if one of those dots stopped moving forever? If I offered you twenty thousand pounds for every dot that stopped, would you really, old man, tell me to keep my money, or would you calculate how many dots you could afford to spare? Free of income tax, old man. Free of income tax - the only way you can save money nowadays.

...Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock."

Post: #10

Now I want to see The Third Man, though if it's rife with gangster cliches I might not be able to get through it.

Also, I just realized this story would make an excellent red pill film: /thread-55037.html

Empowered businesswoman moonlights as a whore while her beta cuck husband stays home and cooks. Gee I wonder why she did that given she doesn't need the money on account of her business career... hmm could it be that women married to betas are eternally unsatisfied and will look to get their fill of masculinity one way or another?

EDIT: Also, there was an episode of CSI/similar from around 12 years ago (I know because I remember watching it with my girlfriend at the time) where a powerful businesswoman has a beta cuck husband and I think she has somebody killed (not her husband) and in the end the husband uses the fact he knows the baby's not his as a guarantee he'll win in family court. Or something like that.

Post: #11

I would make a film with Danny McBride as lead role playing a secret service agent for Trump, big ol tittied blondes in distress needing a true Patriot.

- Trump tower under siege by Arab terrorists who dressed up as Bernie Sanders protestors. Their goals are to demand a removal of Donald Trump from POTUS

- Jonah Hill as security guard on ground floor level

Post: #12

I would make my film a parody of the Black Lives Matter movement. It would be about a cop who gets attacked by a black criminal, and it would be about the resulting fallout, with everyone he knows thinking he's racist.

Post: #13

(04-11-2016 06:59 PM)Rush87 Wrote:  

(04-11-2016 02:54 PM)R_Niko Wrote:  I think there are opportunities for red pill themes to be inserted into films nowadays, case in point: Gone Girl. I'll avoid spoilers for those who haven't seen it, but it involves the innate tendency and capacity of women to manipulate men and society by playing the victim. It's brilliant and full of surprises. I'd honestly like to see the same themes worked into every genre of film.

Gone girl is a great example. Psychologically, red pill truths should speak to an audience in a way that feels 'real' because they are the truths that 99% of the population never see in movies.

"Gone Girl" was an interesting film. It could be appreciated by women/libtards who love to sing the praises of a "smart, strong and independent" female lead (even if she was certifiably batshit) whilst also appealing to men who could see within the movie undeniably red pill truths.

Post: #14

Basically, I'd like to see the inverse of most everything coming out of Hollywood today. You could make movies out of virtually everything that was brought up during Trump's presidential campaign.

. Make a mystery about a police officer investigating the killing of a young girl at the hands of an illegal immigrant.
. Make a political thriller about the dangers of domestic terrorism, something in the vein of Black Lives Matter.
. Make a drama about a husband who loses his job and family due (at least in part) to his job being outsourced to another country.
. Make a drama about a man falsely accused of rape and the media witch hunt he endures whilst attempting to clear his name.
. Make an action film about how political correctness has affected law enforcement's ability to their jobs.

I can't speak for anyone else, but if I were searching through Netflix for something to watch and came across any movies matching those descriptions, I'd sure as hell watch them.

Post: #15

(04-11-2016 12:37 PM)samsamsam Wrote:  Just make sure there are a lot of explosions and special effects.

And titties.

Post: #16

I'd like to see a depiction of a character, some blue collar guy that in past lives would have been a tyrant or despot but in 2016 he's a police officer or electrician or something. I'd like to see him as the master of his domain and act completely stoic and dominant with those around him. He would see women for what they are and remain aloof and noncommital to them...this wouldn't be some typical Hollywood tripe where some rough-around-the-edges badboy loses it for some trash-talking hard-drinking harlot. No, he would keep a mini harem around to keep his balls drained and do his laundry from time to time.

I can't think of a plot but the basic premise would be the world at large chipping away at this guy, constantly testing him. It would be like Falling Down minus the meltdown, just a very hard, cold, real look at what it means to be a modern middle class man. There could be moments of greater insight into his being, little moments of sensitivity and vulnerability here and there, but NOT at the hands of a woman. More like profound moments of introspection towards life, maybe a spiritual component. Man looking at his place in the universe type of themes.

I suppose the movie would need to build some suspense and work towards a crescendo and then conclusion, so there would be plenty of opportunities to have such a character face some major struggle or moral dilemma, something that tests him to the core. Whether or not he's successful or it leads to a happy/sad ending isn't the point. Just something unexpected that goes against the predictable script we get every goddamn year from Hollywood.

And yes, there should be titties.

Edit: I just re-read what I wrote and Bad Lieutenant comes to mind. A movie I really enjoyed but this movie wouldn't have to be quite so dark or gritty.