Post: #1

This article by Frank Deford is my favorite:

The Toughest Coach There Ever Was

The coach was of a bygone era. A role model for masculinity. So tough, his name included two nicknames. His practices were like this:

Quote:To spice up practices Bull Cyclone would sometimes have the managers wrap old mattresses around pine trees to make blocking targets. The idea was to see if anybody could slam into a tree hard enough to knock off a pinecone. Try it. Or, if he thought things were slack during a scrimmage, he would scream, "Get after it!" and the linemen were automatically obliged to choose up and start fighting one another.

From his Parris Island days, Bull Cyclone borrowed the idea of an obstacle course, adding a wrinkle of his own—a trip wire in the tall grass that the managers yanked as the weary players came through. From another part of the course, Bull Cyclone would hurl bricks at the players as they tried to regain their balance after clambering over a wall. He would miss, but barely. He did, however, get their attention.

Probably his most famous gambit was to hold scrimmages at the edge of the pond, which is located at the bottom of a gentle slope, down from where Mr. Smith's pasture used to be. Bull Cyclone came up with the scheme in order to test goal-line defenses. He took his defensive unit and lined it up in the shallow water, which came up to about the players' knees. Then Bull Cyclone had the offense storm down the hill. It "scored" if the running back could make it into the water.

Post: #2

"The Silent Season of a Hero" by Gay Talese is generally considered to be one of the finest sports pieces ever written. Here's a version with notes and updates:

Director's Cut: ‘Silent Season of a Hero,’ by Gay Talese

Quote:"I would like to take the great DiMaggio fishing," the old man said. "They say his father was a fisherman. Maybe he was as poor as we are and would understand."
— ERNEST HEMINGWAY, The Old Man and the Sea

It was not quite spring, the silent season before the search for salmon, and the old fishermen of San Francisco were either painting their boats or repairing their nets along the pier or sitting in the sun talking quietly among themselves, watching the tourists come and go, and smiling, now, as a pretty girl paused to take their picture. She was about 25, healthy and blue-eyed and wearing a turtleneck sweater, and she had long, flowing blonde hair that she brushed back a few times before clicking her camera. The fishermen, looking at her, made admiring comments, but she did not understand because they spoke a Sicilian dialect; nor did she notice the tall gray-haired man in a dark suit who stood watching her from behind a big bay window on the second floor of DiMaggio's Restaurant that overlooks the pier.

He watched until she left, lost in the crowd of newly arrived tourists that had just come down the hill by cable car. Then he sat down again at the table in the restaurant, finishing his tea and lighting another cigarette, his fifth in the last half hour. It was 11:30 in the morning. None of the other tables was occupied, and the only sounds came from the bar, where a liquor salesman was laughing at something the headwaiter had said. But then the salesman, his briefcase under his arm, headed for the door, stopping briefly to peek into the dining room and call out, "See you later, Joe." Joe DiMaggio turned and waved at the salesman. Then the room was quiet again.

At 51, DiMaggio was a most distinguished-looking man, aging as gracefully as he had played on the ball field, impeccable in his tailoring, his nails manicured, his 6-foot-2 body seeming as lean and capable as when he posed for the portrait that hangs in the restaurant and shows him in Yankee Stadium, swinging from the heels at a pitch thrown 20 years ago. His gray hair was thinning at the crown, but just barely, and his face was lined in the right places, and his expression, once as sad and haunted as a matador's, was more in repose these days, though, as now, tension had returned and he chain-smoked and occasionally paced the floor and looked out the window at the people below. In the crowd was a man he did not wish to see.2

The man had met DiMaggio in New York. This week he had come to San Francisco and had telephoned several times, but none of the calls had been returned because DiMaggio suspected that the man, who had said he was doing research on some vague sociological project, really wanted to delve into DiMaggio's private life and that of DiMaggio's former wife, Marilyn Monroe. DiMaggio would never tolerate this. The memory of her death is still very painful to him, and yet, because he keeps it to himself, some people are not sensitive to it. One night in a supper club, a woman who had been drinking approached his table, and when he did not ask her to join him, she snapped:

"All right, I guess I'm not Marilyn Monroe."

He ignored her remark, but when she repeated it, he replied, barely controlling his anger, "No - I wish you were, but you're not."

The tone of his voice softened her, and she asked, "Am I saying something wrong?"

"You already have," he said. "Now will you please leave me alone?"

As a bonus, here's the best/most influential magazine profile ever, also by Talese.

Frank Sinatra Has a Cold

And here's an interview with Talese about the art of writing:

Gay Talese, The Art of Nonfiction No. 2