The Lord of the Rings must stand as a literary masterpiece on its own - the quality of English is supreme - Tolkien was a philologist of Oxford. He knew languages - even Elvish is a hugely creative work in its own right. Middle Earth is so rich in detail and so compelling you'd have to be an imp to not be amazed.
Fantasy/Sci-Fi:
Michael Scott Rohan:
The Anvil Of Ice... In the Northlands, beleaguered by the ever-encroaching Ice and the marauding Ekwesh, a young cowherd, Alv, saved from the raiders by the mysterious Mastersmith, discovers in himself an uncanny power to shape metal - but it is a power that may easily be turned to evil ends, and on a dreadful night Alv flees the Mastersmith, and embarks on the quest to find both his own destiny, and a weapon that will let him stand against the Power of the Ice.
Poul Anderson:
War of the Gods is the story of the great King Hadding is one of the darkest and most violent to come down to us from the old North. Hadding was raised by giants far from his rightful throng, as his father, a Danish King, was slain shortly after Hadding's birth. But the times comes when Hadding feels he must reclaim his legitimate place in the land of the old North. He must endure ferocious battles, the charms of voluptuous Valkyries, and a War of the Gods to rival Armageddon.
George Stewart:
Earth Abides starts where a disease of unparalleled destructive force has sprung up almost simultaneously in every corner of the globe, all but destroying the human race. One survivor, strangely immune to the effects of the epidemic, ventures forward to experience a world without man. What he ultimately discovers will prove far more astonishing than anything he'd either dreaded or hoped for.
Harry Turtledove:
The Great War, American Front begins when the Great War engulfed Europe in 1914, the United States and the Confederate States of America, bitter enemies for five decades, entered the fray on opposite sides: the United States aligned with the newly strong Germany, while the Confederacy joined forces with their longtime allies, Britain and France. But it soon became clear to both sides that this fight would be different--that war itself would never be the same again
Peter Hamilton: Space is not the only void...
In AD 2600 the human race is finally beginning to realize its full potential. Hundreds of colonized planets scattered across the galaxy host a multitude of prosperous and wildly diverse cultures. Genetic engineering has pushed evolution far beyond nature's boundaries, defeating disease and producing extraordinary spaceborn creatures. Huge fleets of sentient trader starships thrive on the wealth created by the industrialization of entire star systems. And throughout inhabited space the Confederation Navy keeps the peace. A true golden age is within our grasp.
But now something has gone catastrophically wrong. On a primitive colony planet a renegade criminal's chance encounter with an utterly alien entity unleashes the most primal of all our fears. An extinct race which inhabited the galaxy aeons ago called it "The Reality Dysfunction." It is the nightmare which has prowled beside us since the beginning of history.
Reality Dysfunction is a modern classic of science fiction, an extraordinary feat of storytelling on a truly epic scale.
Historical Fiction:
Karl Marlantes:
Matterhorn is a great novel. There have been some very good novels about the Vietnam War, but this is the first great one, and I doubt it will ever be surpassed. Karl Marlantes overlooks no part of the experience, large or small, from a terrified soldier pondering the nature of good and evil, to the feel and smell of wet earth against scorched skin as a man tries to press himself into the ground to escape withering fire. Here is story-telling so authentic, so moving and so intense, so relentlessly dramatic, that there were times I wasn’t sure I could stand to turn the page. As with the best fiction, I was sad to reach the end.
Robert Horgan:
A Distant Trumpet is a magnificently sweeping tale of the American West in the aftermath of the Civil War that is heroic in scale, rich in dramatic action, and filled with brilliant characterizations. Horgan's three-dimensional pageant of the daring and dangerous frontier life has been termed "the finest historical novel in American literature" (Gorham Munson) and "the finest novel yet on the Southwest
Robert Elegant:
Manchu transports the reader back to the savagery and the passion, to the opulence and sensuality, and to the great adventure of the last days of a dying dynasty.
Nigel Tranter:
The Young Montrose tells the fascinating yet desperate story of a gallant nobleman from the initial snub he received from Charles I, the monarch he is to devote his life to serving. A brilliant leader, a renowned strategist, a talented moderate in a bigoted age: James Graham, the Marquis of Montrose, is a man of great charm and steadfast loyalty. Reluctantly involved in in national affairs, his most hated enemy is Archibald Campbell, Marquis of Argyll. It seems that nothing can stand in the way of Montrose's triumph. 'Through his imaginative dialogue, he provides a voice for Scotland's heroes.
Alexander Dumas:
The Three Musketeers is a perennial favorite, this work continues to hold appeal for adventure lovers. Full of intrigue, swordplay, and revenge, it is the story of d'Artagnan, a young nobleman who travels to Paris in hopes of joining the Musketeers, a group of swashbuckling adventurers who serve King Louis XIII. His wit and fighting ability make d'Artagnan a welcome addition to their ranks, and together the four young men work to foil the King's evil rival, Cardinal Richelieu. Despite the period setting and constant violence, the story captures and sustains the listener's interest as the Musketeers vanquish the villains. Michael York reads superbly, his rich baritone voice giving each role convincing clarity. The audio format is particularly suited to the tale. The production quality is excellent. Recommended for general collections.
David Howarth (intro by Stephen Ambrose): If
We Die Alone, a story of espionage and survival were a novel, readers might dismiss the Shackleton-like exploits of its hero as too fantastic to be taken seriously. But respected historian David Howarth confirmed the details of Jan Baalsrud's riveting tale. It begins in the spring of 1943, with Norway occupied by the Nazis and the Allies desperate to open the northern sea lanes to Russia. Baalsrud and three compatriots plan to smuggle themselves into their homeland by boat, spend the summer recruiting and training resistance fighters, and launch a surprise attack on a German air base. But he's betrayed shortly after landfall, and a quick fight leaves Baalsrud alone and trapped on a freezing island above the Arctic Circle. He's poorly clothed (one foot is entirely bare), has a head start of only a few hundred yards on his Nazi pursuers, and leaves a trail of blood as he crosses the snow. How he avoids capture and ultimately escapes--revealing that much spoils nothing in this white-knuckle narrative--is astonishing stuff. Baalsrud's feats make the travails in Jon Krakauer's Mt. Everest classic Into Thin Air look like child's play. In an introduction, Stephen Ambrose calls We Die Alone a rare reading experience: "a book that I absolutely cannot put down until I've finished it and one that I can never forget." This amazing book will disappoint no one.
Mikhail Bulgakov:
The Master and Margarita This uncensored translation of Bulgakov's posthumously published masterpiece of black magic and black humor restores its sliest digs and sharpest jabs at Stalin's regime, which suppressed it. Writing in a punning, soaring prose thick with contemporary historical references and political irony, Bulgakov (1891-1940) did not make things easy for future translators. The story itself is demanding: the arrival of the Devil and his entourage in Stalin's Moscow frames a Faustian tale of a suppressed writer (the Master) and his devoted lover (his Margarita), set against a realistic narrative: the Master's rejected manuscript of Pontius Pilate's police state in Jerusalem. An immediate contemporary classic when it was first serialized in Moscow in censored form in 1967-68, the novel suffered in its previous English translations, which were either incomplete or stylistically loose. This new translation, with its accuracy and depth, finally does justice to the politically and verbally outrageous qualities of the original. Careful footnotes explain and contextualize Bulgakov's dense allusions to, and in-jokes about, life under Stalin.
Bernard Cornwell: It takes a remarkable writer to make an old story as fresh and compelling as the first time we heard it. With
The Winter King, the first volume of his magnificent Warlord Chronicles, Bernard Cornwell finally turns to the story he was born to write: the mythic saga of King Arthur.
The tale begins in Dark Age Britain, a land where Arthur has been banished and Merlin has disappeared, where a child-king sits unprotected on the throne, where religion vies with magic for the souls of the people. It is to this desperate land that Arthur returns, a man at once utterly human and truly heroic: a man of honor, loyalty, and amazing valor; a man who loves Guinevere more passionately than he should; a man whose life is at once tragic and triumphant.
As Arthur fights to keep a flicker of civilization alive in a barbaric world, Bernard Cornwell makes a familiar tale into a legend all over again.
Just to name a few I really enjoyed reading!
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First Fiction Book I Should Read? Game of Thrones? The Dark Tower?
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